I’m currently listening to Serene’s Inward Flowering LP and looking through the finished lyrics to our new record The Solipsist. We started recording the vocals a few weeks back and I plan to finish them off this coming Sunday. The delay on the recording process is beginning to grate on my nerves. The plan was to get everything done perfect. To make a complete body of work that we could be proud of if we split up tomorrow and to that extent the recording has so far been a massive success. It has cost us thousands of pounds and it will not be mastered until mid april at the earliest. More likely is that it will be finished in mid May. Thing is we are already moving on. Practicing new riffs and compiling new songs.  These lyrics are now final at least. Can’t wait to see the final disc…… Now, where’s my wallet?
Since my motorbike accident I had just before Christmas. I’ve only been able to do things a little at a time. Ive been sat at home for the best part of 3 months and now there is an end in sight. I can get back to work (who would have ever thought I would look forward to that moment?) and I will be able to play gigs with Babies Three and not just be a spectator at practices and in the studio. My payout best be masiiiiiive. Stupid old lady drivers!!!!!

I’m currently listening to Serene’s Inward Flowering LP and looking through the finished lyrics to our new record The Solipsist. We started recording the vocals a few weeks back and I plan to finish them off this coming Sunday. The delay on the recording process is beginning to grate on my nerves. The plan was to get everything done perfect. To make a complete body of work that we could be proud of if we split up tomorrow and to that extent the recording has so far been a massive success. It has cost us thousands of pounds and it will not be mastered until mid april at the earliest. More likely is that it will be finished in mid May. Thing is we are already moving on. Practicing new riffs and compiling new songs.  These lyrics are now final at least. Can’t wait to see the final disc…… Now, where’s my wallet?

Since my motorbike accident I had just before Christmas. I’ve only been able to do things a little at a time. Ive been sat at home for the best part of 3 months and now there is an end in sight. I can get back to work (who would have ever thought I would look forward to that moment?) and I will be able to play gigs with Babies Three and not just be a spectator at practices and in the studio. My payout best be masiiiiiive. Stupid old lady drivers!!!!!

Hey there. Just a quick update on all things studio then. People have been asking about progress and time frame for the release of our forthcoming album The Solipsist, so I will give some heads up on this here blog. So here is a quote from our lead singer Paul Waller which I have cut and paste from facebook…coz I am lazy.  

“After we finish recording and mastering. At least three months to get photoshoot, video, distribution, artwork and other label stuff done…. I reckon will be out July ish”….

So there is your answer I have been given. So far, the studio recording itself has been a bit of a learning curve in what to do and what not to do and it has really been a chance to figure out how our songs should sound. So far the answer to that question has been a resounding ‘heavy’ or, dare i say ‘violent’ guitar sound. All in all, without too many humps in the road we should pull it off. It will be more progressive an album as anything we could have done before and will hold a few surprises too (guest appearance from Rihanna and a feature from Snoop Dog?). The artwork is also almost a cert to be top drawer too and it will be carefully selected and hold good continuity in the narrative of the piece. Some nice stuff to choose from so far. It has not been easy beating the odds and keeping our resolve but we are just months away now. Can not wait.

Marc's Spotify 20 playlist.

Click Here.…..   At The Drive In Arcasenal : such an amazing band that had more passion and energy than most bands before or since. Black Sabbath Supernaut : Sabbath were the kings of the riff. This is a prime example of why. Robert Johnson  Hellhound On My Trail : blues doesn’t get any rawer and primal than robert john sons holler, for me this is what blues is. Silverchair  Emotion Sickness : i’ve loved silverchair from their pearl jam rip off days to the grandious orchestral compositions of recent years, and this song, for me, was a defining moment from when they went from rip off artist to an entirely different beast altogether Reueben  Shambles (Long Version) : great band, sorely missed, incredible song Botch Spaim : Unlike a lot of hardcore bands, botch always had you second guessing and managed to surprise you but yet remained intense and powerful The Chariot Daggers: The best live band i’ve ever seen, and noisy as hell. The records slay swell. Converge Concubine: The impact this track had on my and my music taste is huge, still sounds monstrous even after the many years since its release Converge Jane Doe : Converge showing that they can be esoteric, heavy, progressive, melodic and emotional all in one 10 minute epic. A fitting closing track to an incredible album Dinosaur Jr Thumb: Being lazy and amazing since the dawn of time Earth Crooked Axis For A String Quartet : The kings of drone, masters of understatement. Jimmy Hendrix Little Wing: Hendrix has the upper hand over most of the main guitar ‘heroes’ due to the passion, soul and feeling he put into his playing. Unsurpassable. Lightning Bolt  2 morrow morrow land: One of the first noise bands i heard and they completely challenged my perception of how a band can behave, create and generally be loud as fuck Mogwai I’m Jim Morrison, I’m Dead : The Kings of Post-Rock. Such Beautiful music Nirvana Radio Friendly Unit Shifter: Nirvana are everyones favourite band…regardless, this song is an absolute banger Pink Floyd wish you where here : Pink floyd….. R.E.M Daysleeper: the innocence and vulnerability that comes across in this song gets me every time, shame the album ‘UP’ was so shit The Smiths  Handsome Devil: say what you want about the controversial and outspoken Mr Morrisey but the smiths are indie rock gods. Can i touch your mammery glands? Sleep Jerusalem (part 1,2,3,4,5,6) : sleep are the Kings of Sludge and this 52 minutes edit of their masterpiece dopesmoker is solid gold proof as to why This Will Destroy You Quiet : TWDY are carrying the torch for the current wave of post rock newbies. clearly at the top of the pack

Run through of Punishment part two for the new record The Solipsist. sound levels…. check…. electricity = fail

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CLICK HERE. The Melvins because they are my favourite band, they seem to write whatever they want and they are the tightest thing I have ever seen live. Earth because they sometimes have one riff played for about 5 minutes and call it a song, they’re right in the middle of alternative and avant-garde. The Mars Volta; I love their epic song writing, the music itself has so much to say. Daughters because I think the lyrics are amazing. I love that the two guitarist and bassist never seem to play the same thing as each other. Zach Hill’s Dark Art is the one of the most amazing pop songs I have ever heard, it has everything a main stream single release asks for; length, structure and a catchy chorus, yet all the music is done in his noise rock style, I listened to this song almost twice everyday of 2010. The Locust sound miles before their time, they’re so futuristic, they’re the only signed band in the world I wish I were in. Lightning Bolt, another amazing live band but for the sounds they make more than the tightness and musicianship, and I love bands that have no guitars! Joy Division are for me are one of the most perfect progression of punk, amazing lyrics and bass lines. Blur because they always tried to sound as British as possible and grew from pop band to music for musicians. Some Girls DEATHFACE because I love minimalism and half this song is one word and chord. U.S Maple because they “hold back on the rocking out” and give you a bunch of guitar parts placed randomly next to each other with unique vocals over the top. Dinosaur Jr went on to influence grunge 50% of grunge to sound the way it did and I’m very thankful that they did. Minus helped me find all these bands, before Minus I listened to whatever Kerrang told me to and didn’t really have much music I really loved, just fazes of bands/albums.

Paul's Spotify 20 playlist.

CLICK HERE. Dylan because the name Babies Three was taken from House Carpenter and he is all time stone cold perfect. except when he went Christian nuts in the late 70’s. Fleetwood Mac because Nicks and Buckingham have the greatest summer voices ever. Abba because as a kid in Australia there was nothing else on at home except for this and Ray Charles. Tegan and Sara because there is not a better pop band around today. OkGo because it sounds like what Prince would be like today if he was still good. Prince because he is funky or rather he made all his best stuff before he was funky. The Halo Benders must be on here because Calvin Johnson showed me the way of DIY punk rock. Jebadiah are cruddy but the chorus of this tune is the best in 3rd wave emo. Kiss because they were my first love and no matter how hard you try, you never quite get over that first time. Nirvana made me realise that heavy music could be great again. Hole because the album pretty on the inside is the perfect record. Courtney should never have learned how to play. Avail because along with Nirvana at Reading Festival they played the greatest ever show i’d ever witnessed, this time at the Red Eye in London. Rollins Band because Black Flag’s Damaged LP is not quite as amazing as The End Of Silence. Celtic Frost because they were the first band i ever saw live and they had the best guitar sound. Candlemass because they go Dooooom! Melvins because they are so damn unfuckwithable and king buzzo has the hair. Veils are here because they are the most exciting thing happening at the moment. Trash Talk because the world needs dangerous thrashers and Coalesce because they prove you are never to old to be astonishing.

In preperation and In The Studio for THE SOLIPSIST

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Hello Blogosphere!!!! Hope you had a nice festive season. I, myself, had a corker of a time. Aside from the obligatory family angst, I love old friends popping home to cheer me up.

In a year that has seen a fair bit of stray shit flying in its face, I hope this year can fare better against the odds. Old Winehouse and Hitchens snuffed it, hooligans going on a bat shit crazy rampage, the economic meltdown, bloody hell….let us just stop there before I go outside and lay in the road. But, psychologically we get to at least imagine a glimmer of hope (by calling this year 2012 and not 2011 - it has a different name so it might have a different fate. no?) and push on. But, if the prospect of the London Olympics doesn’t set your pulse racing then perhaps a new Babies Three record might.  

As soon as the new year did come around things soon turned to the pressing business of recording this darn Babies Three album so we booked in with Anchor Baby Studios this past weekend 5th, 6th and 8th of January 2012, and pulled up the socks and took the gloves off! Somehow, I managed to get all my drum tracks done in a day and three quarters, but my, how tired was I? It was great to be in the studio recording but man! I was pretty relieved when it was done. Over the three sessions we tracked Marc’s guitar parts  too and we have 3 more sessions to come. But, so far the results are good but one is hesitant to be confident when the end is so far in the future. So much time for things to go wrong. Too much for my liking (2months-ish). Fingers and toes, fingers and toes. The preliminary mixes are somewhat awesome so far but we have lived with the music so long you can not really tell what people will make of it. Or what genre it is. Aaaaaanyways, Happy New Year.

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James Davies

Hey there. This is a kinda photo-animation or ‘Kinetoscope’ (the illusion of motion), if you will, of our last show cut to a demo of a song called ‘The Gospel According to Jack’. I recorded the demo at home in my bedroom. It has already been re-imagined in the band format with a more complex arrangement, vocals etc and sounds great. But, this is just a small taster of music set to a series of shots of the Casey’s gig. Hope you enjoy it. As is suggested below, the album will be called The Solipsist.

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James Davies

Hey there. The (B)log is on the fire, the goose is getting fat, my sister bought me a ‘Onesey’, and it’s time for a gift-wrapped message from yours truly.

I myself quite like Christmas, and being that I am in a constant state of arrested development, I don’t need to live vicariously through the eyes of children to enjoy it. I have my own eyes, of course. All the better for watching shitty Christmas movies (Santa Claus The Movie-obvious but vital) and scooping the mince-speckled custard  from the bottom of a bowl, among other things. So, whatever, arbitrary Christmas acknowledgement aside, I bid you Merry Christmas with a genuine warm sincerity. I mean it. No, I do.

On to the gig. As a venue on a Friday night, Casey’s is a strange fit for bands. The area for which to trade your stage craft is a small, cubby-holed, partially visible section, looking out over the smoking garden. Despite it’s seemingly inappropriate ergonomics, it kinda works. Once you get set up and play the intense energy your band creates is contained in the area enough for people to gather around it and jostle for its emanating warmth or retreat to a safer distance. To the sides of said space you can watch through open sections of wall. On this night, as we played there was a buzz in the crowd that has been scantly represented at the shows during our Babies reboot so far. Heads appeared in and around us and familiar faces and not so familiar faces encased us inquisitively. 

Maybe, the fact that most of us were sober (not always the case) and of sound mind (hmmm); or that we were preceded by a good set by the opening band Barking Toad (and to be followed by the mighty Jairus) that ramped up the excitement; or maybe we were playing to a less cynical open minded audience, but the show felt good before we played a note. All in all, I think we smashed it!

During the set we flung, flayed, flew and fornicated with a grace we have maybe never touched before in our like… 37 year history. I know it sounds self important to talk about your band so earnestly, but all this time I have known we could play this good and when you finally do…it’s a relief. Each song was a fight to stop my arms from falling off but we each rode the storm and pulled it off.

“Confidence supersedes genius” said one famous boxer. This is true in the sense that being talented is never enough. ‘Doing’ something awards a tacit knowledge that only repeated failure and growth can express. Now, after playing you never really know how it went down but that you and friends in the band had a musical union. Which, is already enough. Post gig congratulations from audience, promoter, bands was forthcoming and for once I believed them. 

So, this time round, whilst coming off a years worth of journeying towards our collective potential as a band, we may have reached a milestone. Let’s hope we can keep up the good work.

Next year we will enter the daunting world of studio recording and hopefully reemerge with something resembling an album. We are off to Anchor Baby Studios to be helmed and engineered by Dan Lucas of Jairus fame. 

Merry Christmas and a Happy New Year. Here is a link to some of the gig shots from one Clair Waller.

This is our final show of the year. I think we are on in the middle. Gonna be a great night. Hope to see you people there.

This is our final show of the year. I think we are on in the middle. Gonna be a great night. Hope to see you people there.

Interview we did that appeared on TUSC ZINE

Click on the above link to read the first interview we did once we had reformed earlier this year.

TB3EP ... click for free download of EP

As we are now preparing to record our new album I must admit we are stupid excited about it. We go into record in Feb and should have it completed at some point in March 2012. The sound will be heavy the songs will be based around a theological concept fictional story. There will be 9 or 10 songs depending on how long the final track turns out, it could be as short as 7 mins or as long as 13… either way I hate long albums and one thing it will not do is drag thats for sure.

So we have changed the tracklisting of TB3LP to a more concise 8 abraisive tracks that we are far more comfortable representing the band with. It’s still free as well. enjoy. - Paul

August 12th 2011 @ the Westcoast in Margate. pics thanks to Jaymo

Between Russell abandoning ship and Marc joining Dan Lucas from Jairus drummed for us. This was the resulting noise. This track is called Brethren Of The Free Spirit and in a freshly recorded form it will be appearing on our new album. soon….